Creative Writer & Decolonial Researcher | PhD, Binghamton | Fulbright Fellow | Memory, Memoir & Essays
I am a Namibian creative writer and researcher working at the intersection of creative nonfiction, memory studies, and postcolonial African literary history. Rather than treating research and creativity as separate practices, I create knowledge through literary forms, conducting auto-ethnographic investigations into historical trauma, archival materials, and family narratives to deepen my creative work. My doctoral memoir, Being When Meant Not to Be, examines the Herero and Nama genocide through personal narrative and intergenerational testimony. A Fulbright Fellow with a PhD in Creative Nonfiction from Binghamton University, I currently teach at the University of Namibia. I am completing a collaborative memoir documenting my father's life under apartheid.
I am currently working through Saidiya Hartman's Venus in Two Acts, a foundational text on archival ethics and writing from/against the archive. This reading anchors a broader engagement with postcolonial theory (Fanon), genocide studies (Lemarchand, Baer, Dreyfus & Anstett), and contemporary creative responses to trauma (Sharpe, Sibblies Drury). Alongside this, I am exploring Digital Humanities methodologies as tools for rethinking how we document, preserve, and represent marginalized narratives, particularly those of the Ovaherero and Nama peoples. These readings sustain both my creative practice and my thinking on memory, testimony, and decolonial futures.
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